New Work

It seems that my palette is becoming more and more colourful! This new work is entitled, ‘The Riches of Palermo: Take me past the Outer Courts.’ In 2009 I visited Palermo and was astounded by some of the lavish furnishings, chandeliers, frescos and architecture that I saw there. But what made this place really interesting, is that all of this stood in sharp contrast with the bustling dirty and noisy streets, tumbling down buildings and colourful history. As a result it stands as truly diverse, and is well worth remembering.

Easter

This Easter I have been enjoying some free time and have been playing in my studio. I often feel we spend too much time getting too serious about art instead of playing, enjoying it and having fun. So the following is an Easter spare time piece!!!Easter joy

The intrigue of a sketchbook

Marmalade making

Winter sticks and jam jars

Studio space

I have always loved other people’s sketchbooks. To see the thought process behind a finished work, to see the doodlings, the imaginings, and the various ways others go about it as well as the different reasons a person might have for keeping a sketchbook is like having a peek into the secret world of the artist. It has interested me so much I have bought books on how to create a sketchbook….great books that are very informative and interesting like ‘Creating Sketchbooks for Embroiderers and Textile artists’ By Kay Greenlees, and ‘Artists Journals and Sketchbooks. Exploring and Creating Personal Pages,’ by Lynne Perrella. But for all the interest I have shown, I have never really figured out how it might help me. At college I used to end up making up the sketchbook after I had completed my final piece just because I was supposed to go through the process. It has always seemed that if I was going to sketch out my ideas for a finished work first, then why bother to do the final work as I already knew what it would look like.
However, it has dawned on me that recently I have accidentally fallen upon my own personal reasons for keeping a sketchbook. It didn’t happen because I forced myself into doing it as normal, but just because I wanted to record some of the things in my life at the moment so that I will have them for future reference in the vocab of things I could use. Its so simple! – Maybe I have just been complicating it too much in the past. Also, when it is hard to get going doing a sketch seems to be the answer that opens up the way for creativity once more.

Back to Work

Henri Matisse once said that ‘creativity takes courage.’ As I face the white canvas after a long break I can see this to be true, but I am comforted by the fact that others might also feel some inadequacy in their ability; – as Kurt Jackson put it, he sometimes feels like ‘he couldn’t paint himself out of a bl**** paper bag!’ However, I am determined to unlearn the copying of other well known artists as art college seems to encourage and press on into the vulnerable world of branching into the unknown with no idea where it might lead. How liberating!

A New Season

The New Year is here and with it for me comes a new season. Moving more into the country this year has been a wonderful experience for me. The wild life that surrounds us is amazing with a wren coming into the house for a visit on our first night here. Since then we have seen amazing sights: all of which can be seen from my bedroom and my studio windows. Horses rearing in the recent storms, a raven coming to get a morsel of bread from the garden, a kestrel viewing the world from the telegraph line, and a woodpecker staying quite still nearby so that I could watch the first one I have ever seen in real life! These are just a few of the joys. Alongside all of this my studio is now set up, and so now I am looking ahead and looking forward to joy springing from this place too!Halelujah!!

Exhibition at the Tate, Cornwall

Very inspired by a retrospective of the work of Peter Lanyon this week being shown at the Tate, Cornwall.  I was surprised to discover that, just as I attempt to do with my own work, he was expressing the atmosphere and the physical sensation of place,  and  went to extreme lengths, with taking up gliding, to extend that physical experience of being in landscape. It was also refreshing to find an artist juggling other things in life to fit in time for art. He owned a farm and one of the paintings I loved was about getting together with others to bring in the long windblown grass.

Consider the Wildflowers

A painting inspired one day by watching how a field of daisies all turned to face the sun.

Consider the Wildflowers